Hope of a Condemned Man III Framed Poster | Joan Miro Framed Prints Wall Art | Joan Miro Shop

Hope of a Condemned Man III Framed Poster | Joan Miro Framed Prints Wall Art | Joan Miro Shop

21x29.7 cm / 8x12" / White frame
Sale price  2,591.36 dh Regular price  2,990.05 dh
Skip to product information
Hope of a Condemned Man III Framed Poster | Joan Miro Framed Prints Wall Art | Joan Miro Shop
1/5

Hope of a Condemned Man III Framed Poster | Joan Miro Framed Prints Wall Art | Joan Miro Shop

Sale price  2,591.36 dh Regular price  2,990.05 dh
Size
Frame

Hope of a Condemned Man III by Joan Miró A Landmark of Modern Printmaking

Created in 1974, Hope of a Condemned Man III belongs to Joan Miró's celebrated triptych L'Espoir du condamné à mort a trio of large-scale lithographs made in response to the execution of anarchist Salvador Puig Antich during the final years of the Franco regime. In this third plate, Miró achieves the impossible: a work of protest that is also luminous. Sweeping black gestures tear across the composition like urgent script, while a single red accent burns through the field like a spark of defiance. It is an artwork about resistance, and about hope as an act of courage.

The Technique: Miró's Late Lithographic Mastery

By the 1970s, Miró was one of the most technically fearless printmakers alive. In this lithograph, he combined fluid tusche washes with aggressive, almost violent crayon strokes, allowing the printers at Mourlot in Paris to translate the texture of his hand into stone with uncommon fidelity. The result is raw and immediate you can feel the speed of the gesture, the pressure of the crayon, the deliberateness of every mark. Collectors prize this period precisely because it reveals Miró the citizen as much as Miró the dreamer.

Your Museum-Quality Reproduction

Joan Miro Shop reproduces this historic print with the reverence it deserves. Each piece is printed on 250 gsm (110 lb) master's edition paper with a natural white, matte, uncoated finish chosen specifically to honor the tonal depth and texture of Miró's original lithography. The 0.29 mm (11.4 mil) sheet is FSC-certified or equivalent, reflecting our commitment to sustainable fine art production.

  • Ready to hang includes a hanging kit for immediate installation
  • Solid pine wood frame in four finishes: white, natural wood, dark wood, and black
  • Shatterproof plexiglass protection, safe for homes with children and easy to transport
  • Four sizes available to suit intimate studies or statement walls
  • Frame profile: 20–25 mm thick, 10–14 mm wide a slim, gallery-style edge

The palette is deliberately restrained black, red, and the natural warmth of the paper so the framed piece integrates beautifully into both modern and classic interiors. Whether you place it in a reading room, a home office, or a curated gallery wall, it carries the quiet authority of a museum loan.

Why Collect This Particular Miró?

Hope of a Condemned Man III sits at the intersection of Miró's most personal iconography and his most public convictions. It is not decoration; it is testimony. Works from this period have appeared in major retrospectives worldwide, including exhibitions at the Fundació Joan Miró and the Museo Reina Sofía, cementing its place in the canon of twentieth-century political art.

Elevate your space with an archival masterpiece that endures a reproduction executed to the standards of the world's finest print rooms, curated by Joan Miro Shop. To explore the full collection, visit our Joan Miró framed posters wall art collection and discover more works from this defining era.

What is Hope of a Condemned Man III by Joan Miró?

It is the third lithograph in Miró's 1974 triptych protesting the execution of Salvador Puig Antich. Its stark black gestures and red accent make it a landmark of modern political printmaking.

Is this a museum-quality reproduction?

Yes. This fine art print is rendered on 250 gsm master's edition paper with a matte, uncoated finish, faithfully preserving Miró's lithographic textures in an archival-grade framed poster.

What are the frame specifications?

Each frame is solid pine wood, 20–25 mm thick and 10–14 mm wide, available in white, natural wood, dark wood, or black, with shatterproof plexiglass protection.

Does the framed poster arrive ready to hang?

Yes. Every order includes a hanging kit, so your Miró framed print can be installed directly on the wall upon arrival without additional hardware.

What sizes are available for this Joan Miró framed print?

Four sizes are offered to suit different spaces, from intimate studies to larger statement walls. Each size maintains the proportional integrity of the original composition.

Is the paper sustainable?

Yes. The 250 gsm (110 lb) paper is FSC-certified or equivalent, and the matte natural white finish is selected for longevity and environmental responsibility.

What happens if my framed poster arrives damaged?

We offer a free return and replacement if your item arrives damaged. Contact our support team with photos, and we will resolve it promptly and courteously.

Is plexiglass safe for shipping framed art?

Yes. Shatterproof plexiglass protects the poster during transit and display while keeping the frame lightweight and safe for homes with children or pets.

Can I hang this Miró print in a bathroom or kitchen?

For best longevity, avoid high-humidity areas. The matte, uncoated paper and framed construction are designed for interior walls with stable temperature and moderate humidity.

How does this reproduction compare to the original lithograph?

Our museum-quality reproduction captures the composition, tonal balance, and gesture of Miró's original 1974 lithograph, offering fine art print fidelity at an accessible scale.

Why did Miró create the Hope of a Condemned Man triptych?

Miró made the series in 1974 as a protest against the execution of Salvador Puig Antich, using his art as a public act of conscience during the Franco era.

What does the red mark symbolize in this artwork?

The single red accent is widely read as a spark of hope and defiance amid the dense black gestures, reflecting the work's theme of resistance against injustice.

When was Hope of a Condemned Man III created and where does it belong in art history?

Created in 1974, it belongs to Miró's late graphic period, a body of politically engaged lithographs exhibited in major retrospectives and central to twentieth-century printmaking.

You may also like